After all the discussion of form, mode of investigation I felt there's a nice parallel to be found whilst contemplating Cardew's scores - the undefined exterior..., and this also ties in with my investigations into sub-sonic 'sounds' and infra-sonic 'sounds': sounds outside our listening range, inaudible sounds... So much of sound is outside the simple logos that's presented (or projected?) - like the Chion text, the meaning is often generated internally, it's heard between the ear-drums.... it's there in our soul or our minds - Cardew's scores remind me of this. Here are some images of his scores:
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